Take Action #20: Articulation

1. P-T-K-T (puh-tuh-kuh-tuh) Repeat the sounds P-T-K-T over and over (p-t-k-t-p-t-k-t…) 2. B-D-G-D (buh-duh-guh-duh) Repeat the sounds B-D-G-D over and over (b-d-g-d-b-d-g-d…) 3. P-T-K-T-B-D-G-D (puh-tuh-kuk-tuh-buh-duh-guh-duh) Repeat the sounds P-T-K-T-B-D-G-D over and over (p-t-k-t-b-d-g-d-p-t-k-t-p-t-g-d…) 4. Vary up the pattern a bit to make it harder for yourself. Try also going up and down the scale while doing this articulation exercise 5. After doing this exercise for a bit, try one of your favorite tongue twisters and see if it’s easier.

This exercise will allow your mouth to get warmed up while working on both plosive and non-plosive sounds. Also be aware of your breathing throughout the articulation exercises, so that it also helps you practice breath control.

Take Action #17: The Count

1-2-3 inhale 1-2-3 hold 1-2-3 exhale 1-2-3 hold 1-2-3-4 inhale 1-2-3-4 hold 1-2-3-4 exhale 1-2-3-4 hold 1-2-3-4-5 inhale 1-2-3-4-5 hold 1-2-3-4-5 exhale 1-2-3-4-5 hold

Having a strong diaphragm will not only help you maintain your breath for longer periods of time, it can also help you yell, scream, shout and make fighting and reaction noises, all of which are likely to come into play in voice acting. Continue exercising and strengthening your diaphragm so that no matter what type of VO job you jump into next, you’ll be that much more ahead of the game.

Certain sounds (“s” and “z”) will naturally help you ‘hold on’ to your voice and increase the amount of time you can breathe in or out. The next exercise will help you to strengthen this ‘muscle.’ Using the “s” or “z” sound, (rather like a snake hissing) try to slow the air down as much as you can while pushing it out. Start by counting to a lower number (say, three) while inhaling, then exhale on the hiss for three as well and up the count as you feel comfortable doing so. Try also adding a count between breathing in and out, so you’re breathing in, holding, then breathing out, holding, then breathing in again, and so on.

Take Action #16: Your Breath

1. Begin by lying flat on the ground and placing your hand on your abdomen just below your ribs.2. Feel the natural rise and fall as you breathe. 3. Notice the natural ‘pause’ between inhale and exhale.

This is how your body breathes without you trying to do anything to control it. As you breathe, there should be four sections to each breath: 1. an inhale, 2. a pause, 3. an exhale, 4. a pause. We usually don’t feel the pauses because they’re short and they happen naturally, but they’re there, all right. This next exercise focuses on lengthening, or expanding, your breath. Begin by inhaling for a three-count, holding for a three-count, exhaling for a three-count and holding for a three-count. Do this until it’s comfortable and then start to increase your count, four-count, five-count, etc. If you start to feel light-headed or dizzy, stop immediately and take a break. See if you can comfortably work up to 5, 6, 7 or even 8, 9, 10.

(Tara once had a voice teacher who could breathe in and out on a thirty-count, which comes with a lot of practice. Being able to hold your breath and control your breathing allows you to play with your voice more, giving you more range and stamina, which could come in handy for things such as recording long passages for audiobooks or characters who really ramble on.)

Take Action #6 – What can you learn from the people around you (without them even knowing…)?

One great way of getting your ear (and then your voice) attuned to a variety of voices, inflections, accents and qualities is to go people watching, or people-listening, rather... Find a fairly busy spot, like a mall, a zoo, a crowded lobby, café, etc, sit yourself down, and observe. Listen to how different people talk, take note of their pauses, inflections, their unique affectations and things you find interesting about them. Without appearing creepy, you might even pay attention to their mouths to see if there’s something specific they’re doing to create sounds.

If you think it might help, bring a note pad along so you can take notes on things you want to remember. Consider also bringing your quality check list with you so you can quantify for yourself the characteristics of the voices you’re hearing. In case you haven’t built a quality list yet, here are some examples to start with. Use them as a jumping-off point and add your own!

Calm      Pointed      Sincere      Flustered      Agitated      Loving

Hypnotic      Polite     Warm       Shrill       Distant       Brash

See how many different qualities a particular person’s voice might have: perhaps they have a calm, sincere, loving, polite voice, or maybe their voice is pointed and agitated. Mix and match to best describe the voice you are listening to, or add any qualities you become aware of that aren’t yet on your list.

Happy people listening!